Last weekend saw a significant boost in box office numbers across various regions, driven by fresh animated and live-action releases that attracted diverse audiences. Notably, family favorites like “Ice Age,” “Monsters, Inc.,” and “Return to Never Land” led the animated segment, while “The Time Machine” and “The Royal Tenenbaums” launched their international campaigns with promising results.

In Mexico, Fox’s “Ice Age” achieved remarkable success, earning $3.6 million from nearly 500 screens—setting a new record for the territory and ranking as the second-best opening ever for the studio after “Dinosaur.” Meanwhile, in Singapore, the film amassed $366,000 from 34 screens, marking the biggest animated opening in the country’s history. The trend is optimistic, with upcoming openings scheduled in the UK, Germany, Australia, and Brazil.

“Monsters, Inc.” also performed strongly in Italy, pulling in $1.2 million over 243 screens—outperforming previous Pixar hits like “Shrek” and “Toy Story” in comparable markets. In Japan, the film’s third-week decline was modest at 23%, with total revenue reaching $4.3 million, contributing to a market total of $22.5 million. Overall, Disney’s “Monsters, Inc.” has grossed $180.1 million internationally, adding to its global success.

The “Peter Pan” sequel, “Return to Never Land,” opened to $930,000 in Spain on 200 screens—50% higher than “Chicken Run”—but had a more modest start in Sweden with $165,000 from 99 screens, competing against the animated hit “Ice Age.” Meanwhile, “The Time Machine,” starring Guy Pearce, opened in Thailand with $400,000 from 65 screens, making it the second-largest U.S. film debut in the country this year. It also earned $256,000 in Holland and $161,000 in Malaysia, securing the top spot in all three markets.

In the UK, “The Royal Tenenbaums” outperformed “We Were Soldiers,” earning $991,000 from 159 locations, while the Mel Gibson war film has now made $2.2 million overall. Across Europe, Wes Anderson’s comedy drew strong numbers, with $500,000 in France, $360,000 in Germany, and $170,000 in Brazil, despite limited screen availability.

“Spy Game,” featuring Brad Pitt and Robert Redford, was the most successful U.S. release in Germany with $1.5 million from 639 screens and ranked second in South Korea with $481,000 from 80 screens. The film’s total international gross now exceeds $68.6 million, with Brazil and Argentina remaining key markets.

“Ocean’s Eleven” continues its impressive run, accumulating approximately $238.8 million overseas, ranking as Warner Bros.’ fourth-highest grossing film internationally, trailing only “Harry Potter and the Sorcerer’s Stone,” “The Bodyguard,” and “The Matrix.” It earned $6.9 million across 50 territories and remains at the top in the UK and Korea during its fifth and third weeks, respectively.

In Japan, “The Lord of the Rings: The Fellowship of the Ring” is nearing $500 million globally, with Japan contributing $26.4 million in its third week—only a 13% drop—allowing it to reclaim the top spot from “Monsters, Inc.” It has become New Zealand’s highest-grossing film ever, surpassing “Titanic,” and debuted in India with $121,000 from 41 screens. “A Beautiful Mind” has crossed $56 million worldwide, adding around $8.2 million from 29 markets including Singapore, Thailand, and South Africa.

Down under, Robert Altman’s “Gosford Park” earned a refined $602,000 from 64 screens in Australia, pushing its total to $12.7 million after four weeks. “Kate & Leopold” earned $907,000 from 213 screens in Australia, while in Italy, it has accumulated $1.9 million after its third week. “Thirteen Ghosts” gathered approximately $1 million in the UK from 280 screens, comparable to “I Know What You Did Last Summer,” and added $227,000 in Singapore from 20 screens. Its total stands at $15 million across major markets.

Finally, Ridley Scott’s “Black Hawk Down” took in $300,000 in Russia from 46 screens and $144,000 in Argentina from 75 screens, leading those markets. The film has now earned a solid $38 million globally, with upcoming releases in Japan, Germany, and Sweden expected to further boost its international tally.

What are the Harry Potter Movies about and Where to Watch

What are the Harry Potter Movies about and Where to Watch are popular questions among fans. These films depict Harry Potter's adventures at Hogwarts as he faces dark forces and discovers his destiny, and you can find where to watch harry potter on various streaming platforms like Netflix, HBO Max, or Amazon Prime, or by renting digital copies, with VPNs offering a solution for geographical restrictions.

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